Carlos Motta

* 1978 in Bogotá, CO

11. Berlin Biennale

REQUIEM, 2016
3-channel video installation

Libera me [Deliver me], 2016
Video, b/w, sound, 2'30"
Featuring Ernesto Tomasini
Music: Libera Me from Gabriel Fauré’s Requiem
Camera: Jonas Spriestersbach
Camera Assistant: Dino Osmanovic
Video Editing: Carlos Motta
Video Editing Consultant: Irit Batsry
Sound: Saverio Damiani
Sound Design: Zachary Dunham, Ian Turner

The End of Crucifixion, 2016
Video, color, sound, 21'5"
Featuring Linn Tonstad
Camera: Martina Radwan
Camera Assistant: Travis Tomlinson
Video Editing: Carlos Motta
Sound: Ian Turner
Sound Design: Zachary Dunham
Post Production: Aleksander Bergan
Production: Camilo Godoy

Inverted World, 2016
Video, color, sound, 7'39"
Featuring Stefano Laforgia, Carlos Motta, Andrea Ropes
Camera: Jonas Spriestersbach
Camera Assistant: Dino Osmanovic
Video Editing: Carlos Motta
Video Editing Consultant: Irit Batsry
Sound: Saverio Damiani
Sound Design: Zachary Dunham
Viola: Concetta Abbatte
Post Production: Aleksander Bergan
Mural: San Francisco, early sixteenth century, anonymous, in the chapel at Associazione Culturale Dello Scompiglio

Courtesy Galeria Vermelho, São Paulo; P.P.O.W Gallery, New York; mor charpentier, Paris

REQUIEM is a coproduction of MALBA and Associazione Culturale Dello Scompiglio, Buenos Aires
REQUIEM is part of a live performance commissioned by Angel Moya García and Eugenio Viola for Sui generis, reseña
de performance
of Associazione Culturale Dello Scompiglio in June, 2016