Johanna Unzueta

10. Berlin Biennale

April 2015 NY, November 2015 Cuernavaca, 2015
Watercolor, pastel pencil on watercolor paper (añil tinted on reverse); Plexiglas frame, recycled wooden beams
Courtesy Johanna Unzueta

April/May 2016 NY, 2016
Watercolor, pastel pencil, and needle holes on tinted watercolor paper (añil); Plexiglas frame, recycled wooden beams
Courtesy Johanna Unzueta

December 2017, January 2018 NY, 2018
Pastel pencil, gold watercolor, and needle holes on tinted watercolor paper (añil); Plexiglas frame, recycled wooden beams
Courtesy Johanna Unzueta
Commissioned and produced by Berlin Biennale for Contemporary Art

January, February 2018 NY, 2018
Watercolor, pastel pencil, gold watercolor, and needle holes on tinted watercolor paper (añil and fustic); Plexiglasframe, recycled wooden beams
Courtesy Johanna Unzueta
Commissioned and produced by Berlin Biennale for Contemporary Art

May 2016 NY, 2016
Watercolor, pastel pencil, charcoal, and needle holes on tinted watercolor paper (añil and fustic); Plexiglas frame, recycled wooden beams
Courtesy Johanna Unzueta

Not Twins, June/November 2017 NY, 2017
2 drawings, pastel pencil, and needle holes on tinted watercolor paper (añil); Plexiglas frame, recycled wooden beams
Courtesy Johanna Unzueta
Commissioned and produced by Berlin Biennale for Contemporary Art

November 2017, January 2018 NY, 2018
2 drawings, pastel pencil, and needle holes on tinted watercolor paper (añil); Plexiglas frame, recycled wooden beams
Courtesy Johanna Unzueta
Commissioned and produced by Berlin Biennale for Contemporary Art

Herringbone: Listen To The Whispers of The City, 2018
Pastels, screws, metal rods, colored PVC rope on wall
Courtesy Johanna Unzueta
Commissioned work produced by Berlin Biennale for Contemporary Art
Thanks to Ana Maria Millan, Andres Sandoval, Nicolas Gomes, Tessja Kissing